Dance Music Production - Sessions 07 Delay (2016) WEBRip | English | MOV | 1280 x 720 | AVC ~1064 kbps | 30 fps AAC | 115 Kbps | 44.1 KHz | 2 channels | 04:29:33 | 1.61 GB Genre: Video Tutial / Sound Processing
Sessions are our range of video tutials that are dedicated to helping producers understand the most indispensible and commonly used plug-ins and synthesizers employed in the production of electronic dance music. The ability to use your production tools efficiently and properly fms the rudimentary difference between an amateur and professional but relies on completely understanding both the they and practice of application. Each sessions tutial offers a complete breakdown and explaination of the unit in focus so if you're struggling to understand the they and applications of compression, EQ, Delay want to understand the parameters on offer in the Virus Ti, our sessions tutials are essential. Delay, like reverb, is one of those effects we take f granted as producers.The effect isn't as subtle elusive as compression, f example, and it can often be immediately noticeable when applied even in small amounts so we often feel it needs no real introduction. However, the somewhat simple nature belies a far me complex application f music production and mixing. F this session we unravel and explain the intricacies of employing delay. We begin by introducing the basic parameters that fm the basis of all delay units befe examining the imptance of musical notation, the significance of delay timing in a mix, feedback uses, how to calculate the best delay times, the principles of echo, snapback, ADT, dynamic delay, filtered tails, tail processing, interference, comb filtering, chusing, flanging, rhythmical delay taps and the uses of delayed frequency modulation to increase presence and dimensionality within a mix. Throughout the tutial we show why its such an influential effect and why a detailed understanding of delay will invariably change the sound of your music and mixing, making it appear cohesive, wider, bigger and exhibit a three-dimensional stage, all in all, producing a me professional mix. In addition, f this tutial, we also examine SoundToys Echoboy. This has become the industry standard delay unit of many professional so we discuss each parameter in detail and show how - through its wealth of modulation options - it has become one of the most creative and must have effects f the production of dance music.
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